Film partnerships News

Inaugural MENA Cinema Forum to host 450 delegates

Leila Masinaei, Managing Director of GM Events, organiser of the MENA Cinema Forum.

The number of cinema screens is set to jump 38.4% to 1,800 in the Middle East and North Africa (MENA) region in the next three to five years, up from 1,300 at present, according to a research by PriceWaterhouseCooper (PWC), a Knowledge Partner of the MENA Cinema Forum.

The PWC research, to be released at the inaugural two-day MENA Cinema Forum – the first ever business conference of its kind for the regional market will be held at the Grand Hyatt from October 28-29 – will offer a detailed research on the current situation and future growth potential of the cinema industry in the Middle East and North Africa (MENA) region.

More than 45 speakers will discuss cinema-related issues – challenges and opportunities – in front of an audience of 450 industry professionals, businessmen, more than 90 sponsors and delegates from 45 countries across the world.

Commenting on the MENA, Dr. Martin Berlin, Partner and Global Deals Real Estate Leader at PWC, said: “There are around 1,300 cinema screens in the MENA region and the number is growing. We expect 500 new cinema screens to be set up in the MENA region and the majority will be in Saudi Arabia.”

The number of cinema screens has crossed 150,000 globally, including about 50,000 in China and more than 45,000 in the United States – the world’s two biggest cinema markets. China is expected to have more than 60,000 cinema screens by 2020, making it the world’s largest film market, according to the State Administration of Press, Publication, Radio, Film and Television (SAPPRFT).

Amer Bin Ahmed, Managing Director, Knauf, Middle East and India.

Although the number of cinema screens in the MENA region remains way too low, the growth potential, however, remains very high.

“The biggest opportunities will come from the opening of the Saudi market, followed by the opportunity from sophisticated pricing mechanisms where cinema operators offer price differentiation based on particular timings and days – to help increase box office revenues. Additionally, premium screening is another way of optimising revenues,” Dr. Martin Berlin said.

There are just 23 screens per million Chinese, compared to 125 per million in the U.S., according to IHS Markit, a London-based market researcher.

Commenting on the region, Leila Masinaei, Managing Director of GM Events, organiser of the MENA Cinema Forum, said: “The 38.4% additional cinema screens will help the entertainment market to grow faster as additional capacities will be high enough to meet the growing demand that is expected to come from Saudi Arabian market.

“The recent liberalisation and reform initiatives in Saudi Arabia have opened up a lot of opportunities for industry that will see the biggest boom in the entertainment and cinema industry. Saudi Arabia will soon emerge as the fastest growing market for entertainment.”

More than $3.54 billion investment in cinema screens across the Gulf is expected to help the region’s cinema industry expand manifold following Saudi Arabia’s historic decision to open up the sector 35 years after cinemas were banned in the Kingdom.

Commenting on the larger region, P.V. Sunil, Managing Director of Carnival Cinemas said: “Carnival is an emerging group and after attaining a significant screen-count in India, we have started our overseas business in Singapore (in 2016) and by the year end we will have more than 100 screens in MENA region.”

He said, the aim is to provide entertainment for all globally. In India, Carnival Cinemas has a strong presence in Tier II and III cities along with metro and Tier I cities.

“We are planning to replicate the same model here as well by taking the world class cinema experience to all possible locations including smaller cities and even labor camps. Simultaneously there will be an organic development plan also and we have already selected few locations for that,” Sunil said.

“Our goal is to provide 360 degree entertainment solutions in the sphere of production, distribution and exhibition. Our content strategy will involve promoting Indian content as we have developed great partnerships with leading studios and production houses accompanied by Hollywood and regional GCC content. We are strengthening our businesses by delivering to audiences the industry’s best cinematic experience.”

Debbie Stanford-Kristiansen, CEO of Novo Cinemas, said: “We currently have 118 screens across UAE and Bahrain in 11 locations with a total of 18208 seats. We will open a significant number in the coming three years across UAE, Bahrain and of course KSA. We are already committed to a number of exciting projects and looking at more growth opportunities in the coming 3-5 years as well.

“The Middle East cinema market is doing very well, resilient because of the price point, but still very affordable family entertainment even during tough times. However, it all comes down to content, if we have great content then customers will come to watch the movies.”

Knauf Middle East, a major player in the supply of cinema systems, is optimistic about the growing prospects of its business in the GCC.

“We have been very active doing major projects in KSA for many years and are looking forward to bringing our expertise to KSA,” Amer Bin Ahmed, Managing Director, Knauf, Middle East and India, said.

“We have experience in installing more than 200 cinema projects across the Middle East including UAE, Oman, Kuwait, Bahrain and Qatar. Knauf has a specialised technical team for the cinema segment to design and specify tailor made solutions. Our products and systems are fully tested and certified to the highest standards ASTM, DIN, ENBS.”

Knauf has a manufacturing facility in the UAE to support and meet the demands of the GCC market. “Our strategically placed manufacturing plant and research and development in UAE makes us a logical choice for our KSA customers,” he said.

Eranna Yekbote, Chief Architect of Era Architects, who designed more than 1,200 cinema screens in the last 19 years, said: “Out of these, about 400 screens are in the MENA region and we have about 250 screens from 30 projects in pipeline on our drawing boards in office.”

Some of the key topics that will be tackled at the MENA Cinema Forum include the transition through digital disruption and the economic impact of the growing cinema industry as well as the effect of the Saudi Cinema market across the region.