Roscos Roscolex Acrylic panels were installed at Londons Olympic Stadium this year creating the backdrop for broadcasters anchors. Broadcasters had to make sure the windows of their studio werent blown out by the brightness of the exterior light, so some studios, such as Telemundo turned to Roscos panels. Several other studios installed Rosco VIEW, a […]
Roscos Roscolex Acrylic panels were installed at Londons Olympic Stadium this year creating the backdrop for broadcasters anchors.
Broadcasters had to make sure the windows of their studio werent blown out by the brightness of the exterior light, so some studios, such as Telemundo turned to Roscos panels.
Several other studios installed Rosco VIEW, a product that was engineered to control the exposure in windows using a two-part system including a rigid Rosco VIEW Panel installed in the window and a corresponding Rosco VIEW Camera Filter inserted into the camera.
Rotating the camera filter causes it to cross-polarise with the panel in the window giving studios instantaneous control over the brightness seen in the window – even remotely.
Norways NRK Broadcast Studio built its studio on top of scaffolding rising over four stories high. It installed 13 Rosco VIEW panels into its scaffold-top studio and had three cameras outfitted with Rosco VIEW Camera Filters.
NRK sent a skeleton crew to operate the studio, opting to control most of the lighting, sound, and the Rosco VIEW from its studio in Norway.
The Rosco VIEW GUI (Graphic User Interface), which allows the control room to network with the Rosco VIEW Camera Filter Rotators, has also been extensively used by the broadcaster to control the brightness of the windows in its studio from more than 1000 miles away.
