Additionally, two Egyptian classics celebrating more than 50 years since their release have been restored and will be screened as part of the programme.
Red Sea International Film Festival (RedSeaIFF) has announced the seven films that will be part of its “Red Sea: Treasures” section.
The second edition of the Red Sea International Film Festival will take place at the Ritz Carlton in Jeddah, Saudi Arabia, from December 1-10, 2022.
Speaking about the classic films, Antoine Khalife, Director of Arab Programmes & Film Classics of RedSeaIFF said: “Red Sea: Treasures is a celebration of some of the iconic and widely acclaimed cinematic storytelling ever to grace the screen. I’m thrilled that through the Red Sea Film Festival Foundation, we have been able to restore two Egyptian classics which have been meticulously restored for a new generation of audiences to enjoy.”
Kaleem Aftab, Director of International Programming for the RedSeaIFF, added: “Red Sea: Treasures has been designed to unlock film heritage and reintroduce a diverse selection of masterpieces that have made an important contribution to cinema history. These influential films have impacted our lives, and we’re delighted to share them with new audiences.”
The line-up includes Bend it Like Beckham, La Grande Illusion, Sambizanga, Stranger than Paradise, Lion of the Desert, Khali Balak Min Zouzou, and Gharam Fil Karnak.
One of the most iconic and highest-grossing soccer films of all time, Bend it Like Beckham (2002), directed by Gurinder Chadha and starring Parminder Nagra and Keira Knightley, is celebrating its 20th anniversary. 18-year-old Jess Bhamra (Parminder Nagra) dreams of playing professional football like her idol David Beckham, but her Punjabi Sikh parents have more conventional plans for her: a law degree and marriage. Jules (Keira Knightly), a fellow female striker, spots Jess playing park football and invites her to join the local women’s team.
Released over 80 years ago, Jean Renoir’s La Grande Illusion (1937) is considered one of the greatest films ever made. The film follows French prisoners of war in two German camps during World War I. The core group of officers includes the working class Maréchal (Jean Gabin), the aristocrat de Boeldieu (Pierre Fresnay), the wealthy bourgeois Rosenthal (Marcel Dalio), and the comic music-hall actor Cartier (Julien Carette). Their attempt to tunnel out of the first camp (Hallbach) is foiled at the last moment by a transfer to the forbidding fortress of Wintersborn, where they meet again the German officer glimpsed in the film’s prologue, Captain von Rauffenstein (Erich von Stroheim).
Sambizanga (1972), is a portrait of the anti-colonial struggle in 1970s Africa, filmmaker Sarah Maldoror’s adaptation of a novella by the Angolan writer José Luandino Vieira was banned by the Angolan government until the country obtained its independence from Portugal in 1975. Sambizanga follows Maria as she tries to pick up the pieces after her husband, a secret anti-colonial activist, who becomes a political prisoner. This passionate drama illustrates the cruelty of the Portuguese administration alongside the courage and sacrifice of ordinary Angolans during colonial rule.
Stranger than Paradise (1984) is the striking debut from pioneering American indie filmmaker Jim Jarmusch, who is now into the fourth decade of his career. The film is a superbly crafted urban tale set in the bleak American landscape, where work is little and opportunity is diminishing. Jarmusch follows rootless Hungarian Willie (John Lurie), his pal Eddie (Richard Edson), and his visiting 16-year-old cousin, Eva (Eszter Balint), as they drift from New York’s Lower East Side to the snowy expanses of Lake Erie and the drab beaches of Florida, always managing to make the least of wherever they end up. The film will screen with the short-animated documentary Stranger than Rotterdam (2022), which tells of the length’s producer Sara Driver had to go to get the financing for Jarmucsch’s classic. Told by the co-directors with the use of hand-drawn puppets, it depicts the good old days when films travelled in cans, and nobody knew exactly what was in them.
The epic historical war feature Lion of the Desert (1980) by Moustapha Akkad starring Anthony Quinn will be screened in a new 4k restoration. Set in 1929, it tells how rebel guerrilla leader Omar Mukhtar led the Libyan nationalist resistance against the iron rule of the colonizing Italian fascists.
Additionally, two Egyptian classics celebrating more than 50 years since their release have been restored and will be screened as part of the programme for audiences to discover or see again on the big screen.
Khali Balak Min Zouzou (Watch Out for Zouzou) directed by Hassan Al-Imam (1972) is the story of a young student who falls in love with her college professor. When the professor calls off his marriage to be with her, the enraged fiancée discovers the young woman’s shameful secret: she comes from a family of entertainers. When the secret is exposed, complications ensue for all. Taking on the social changes of the 1970s in a typically Egyptian style, Khali Balak Min Zouzou combines drama, comedy, and music. Considered one of the highest-grossing Arab films of all time, the film features two of Egypt’s most loved cinema stars; actress Soad Hosny and actor Hussein Fahmy.
In Gharam Fil Karnak (Love in Karnak) directed by Ali Reda (1967), a group of young dancers struggle to stay financially afloat. The situation is further complicated by the rocky love affair between Amina, the lead dancer, and Salah, the troupe director – in a series of misunderstandings. The film holds legendary status in the history of Arab filmmaking: its restoration and screening serve as both an inspiration to future filmmakers and a testament to the long and established Arab film industry.
